Finnish Glass Art Collection of Bruno Bischofberger: An Exhibition in Venice
In the summer of 2015, Venice hosted a remarkable exhibition showcasing the Finnish glass art collection curated by the esteemed Swiss art dealer, Bruno Bischofberger. Held from April 13th to August 2nd at the Fondazione Cini, specifically within the confines of "Le Stanze del Vetro" on the island of San Giorgio Maggiore, the exhibition presented over 300 pieces of Finnish glass art. This event not only highlighted Bischofberger's profound influence on the European art scene through his introduction of iconic artists such as Andy Warhol and Jean-Michel Basquiat but also underscored his diverse interest in decorative arts, design, and archaeological artifacts.
Background
Bruno Bischofberger is recognized for his pivotal role in the 20th-century art market, championing the works of notable artists including David Salle, Julian Schnabel, Enzo Cucchi, and Francesco Clemente. Beyond his professional pursuits, Bischofberger's extensive collection, co-amassed with his wife, Christina, reflects a deep engagement with the Mid-Century Modern style of the 1950s, noted for its abstract forms and fluid lines. The collection's emphasis on Finnish glass art showcases the couple's appreciation for this unique artistic expression, which they began accumulating following visits to Mark Isaacson and Mark McDonald's gallery in New York.
Curatorial Insights
The Venice exhibition was curated by Kaisa Koivisto and Pekka Korvenmaa, who meticulously organized the collection to emphasize the distinctive qualities of Finnish glass art. This genre is celebrated for its singularity—echoing the unique cultural identity of Finland—characterized by radical forms, minimalism, and conceptual designs, often in small, transparent objects. The collection includes significant works like the Aalto vase, designed by Alvar Aalto in 1937, and pieces by Gunnel Nyman from the 1930s and 40s, inspired by natural forms and everyday objects. It also features creations by Timo Sarpaneva, including his Lansetti vases, and contemporary works by Harri Koskinen, illustrating the ongoing innovation within Finnish glass art.
Conclusion
The Finnish Glass Art Collection of Bruno Bischofberger exhibition in Venice offered a comprehensive look at the evolution and influence of Finnish glass art, from its roots in the 20th century to contemporary interpretations. This showcase not only highlighted the aesthetic and conceptual richness of the art form but also paid homage to Bischofberger's eclectic and discerning taste as a collector. The exhibition stands as a testament to the enduring appeal and significance of Finnish glass art within the broader landscape of decorative arts and design.
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